Are Video Games Mature Enough to Deal With Truly Dark Themes? (Also on Xeawn’s Gaming Corner)

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And, are gamers? This is a follow up to my previous articles on a similar subject, and can be considered part three in the recent series of maturity articles. As y’all know, I don’t do short articles, so I figured I may as well break this up over the course of several days. This is leading up to an all day mega session with Tomb Raider that CainKarl and I will be doing next week (we did that already), and then Xeawn’s Gaming Corner will return to the generally more lighthearted articles you all know and love. As per the last two articles, please use your own discretion for your tolerance to topics that society has molded us to be uncomfortable discussing.
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Do Horror Game Stars Need to be Girls? (Also on Xeawn’s Gaming Corner)

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*DISCLAIMER!: This is part 2 in a 3 part series of articles that are more mature than the XGC norm; please exercise your own discretion when reading! Regular articles will resume after Tuesday’s Tomb Raider review!*

Maybe not just games either. I was thinking about that this morning (about a week ago now), or maybe it was last night (about a week ago now) because they both sorta ran together for me (about…well, no, that’s pretty normal for me…), as I began laying out plans for a few new horror novels that I’ll be writing. The star of the first pure horror story I started working on is a girl trapped in a castle she’s desperately trying to escape while a number of unsavory characters are stalking her for unknown reasons. Why did I specifically choose a girl? I unno’, I just did. Amelia was just right for the part.

A different story with strong horror elements stars a father trying to protect a little girl in a hellish nightmare realm where he’s unable to tell fantasy from reality and has a number of frightening demons to contend with. Why did Roy work for this story? I felt a father trying to protect his daughter worked better in this scenario than a mother and daughter; I wanted to hit fear on a different level. I wanted to work with taking away from men the largest thing that makes us feel like men, and that’s a sense of power and the capacity to protect what we care for. I wanted to force the man to be in a situation where not only was he helpless, not only was he helpless to protect a child, he was helpless to protect a daughter.
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