Let’s Talk About My Father

Good evening et all. Sorry to keep you waiting.

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There’s a reference in here somewhere.

Tonight I’d like to talk about my father. Yes, I’m sure you’re curious about what the studio has been up to since the announcement on Xeawn’s Gaming Corner that we’ve shifted focus from content reporting to content creation.

All in due time, I assure you.

Tonight, however, I’d like to talk about my father. Permit me to wax poetic, if you will.

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Your Argument… (also on Xeawn’s Gaming Corner)

It's Invalid.

It’s Invalid.

HI EVERYONE!!! Guess what? I’ll be back from Vegas soon. I brought you all something. What did I bring you?

Interviews with Sega, Capcom, Zombie Studios, Nintendo, WB, Mercury Steam, the creative geniuses behind the Ouya and more!

I also brought you gameplay videos of Killer Instinct, Batman: Arkham City Origins Blackgate (as well as info on that one that I don’t believe has been covered by anyone else yet), Sonic: Lost Worlds and more!

I also brought you previews of the PS4 (hands on!), Warframe on the PS4 (hands on!), Yaiba: Ninja Gaiden Z (hands o–okay I think you get the point), Dark Souls 2 and more!

Aaaaand if you come to my two panels at Senshi Con next month I’ll have everything from posters of games to soundtracks to postcards to collectible bags to hats to a sword (inflatable, but its from Assassin’s Creed 4, so that’s cool, right?) to GAMES GAMES GAMES!!!

So, it’ll take me about a day to recover, but expect updates, including but not limited to previews, reviews, interviews, videos and pictures, as early as Monday! And, if you can’t wait, follow me on Instagram, xeawn, to catch a ton of my cool expo happenings!!!!

Yeah…I probably should’ve mentioned the Instagram feed before I left for Vegas…

My bad.

Xeawn, out!

P.S.!!!

That Killer Is Dead meme pic? I made it myself! I’m so proud of me 😀

A gentleman always wears a tie.

When I was a child, coming up I always saw my father dressed impeccably. Now, we were not rich by any measure, not destitute either, but not rich at all. However, my father ever since my earliest memory was always a very well dressed man. Growing up I have memories of my father being up late to press his suits, something I never quite got the thrill of myself, yet something that always gave him a sense of pride and joy. He would never go to work with a wrinkled suit on, and he would always wear a tie.

When I was a kid, my father was into bow ties. When I got older, say fifteen or sixteen he consistently wore the regular kind. My father, a comic book geek that got me into most of my nerdery, got a particular joy not out of receiving as a gift the latest Dark Knight or Daredevil (though he enjoyed those too), rather became a collector of ties. He always got one on his birthday and on Christmas regardless of whatever else he may have wanted, though we of course made sure to express our appreciation with more than fancy fabric for your neck.

Now, for myself I gravitated towards scarves. I’m not entirely sure why scarves, though I think Blues, a.k.a. Proto Man, had quite a lot to do with it. I collected scarves, most of which I no longer have because I gave so many away to friends and strangers as a child and early teenager. However there was one thing I always knew for an unequivocal fact:

A gentleman always wears a tie.

My nephew watches my father and I like a hawk, his mind like a sponge as he absorbs everything that it means to be a man from our behavior. At times it frightens me how much he wants to be like me; I am well aware of my faults and shortcomings, as well as the painful road I had to walk to get to the me that I am today. I do not wish for him to endure any of what I have, nor do I want to be placed up on a pedestal of any kind. Yet and still, I do not shy away from my responsibilities like so many men of today; I endeavor to be the uncle and Man of God that will set the bar for him to meet and to exceed as he grows up.

My nephew has often asked my father why he wears a tie. My father always explains to him that a gentleman must wear a tie. He reminds my nephew that when we go out into the world, people are constantly judging us based upon our appearance. He explains to my nephew that we are intelligent black males who endeavor to carry ourselves in a professional, respectful, and through God a powerful way. He reminds my nephew that there are many in life who will find that threatening, yet we must endeavor not to fit inside of the box, the pre-disposed mold and ancient caricature that both society and our own race perpetuates as the norm rather than the exception.

And above all else, a gentleman always wears a tie.

Watching various older cinema classics with my nephew, he has asked me the same question. When watching Humphrey Bogart, Cab Calloway, Sammy Davis Jr., Dean Martin and Buster Keaton on stage, my nephew asks me the question,

“Uncle, why do men wear ties? Why do they all look so fancy? They look nice, but why?”

Seven years old, full of wisdom and curiosity.

“Nephew,” I begin, “in that era, men were men, and women were women.”

He’ll usually give a quizzical look and exclaim

“What the what?!”

And so I endeavor to impart wisdom and explain.

“Nephew,” I continue, “men were men, and women were women. Back in that era, back in the day, men always dressed impeccably nicely. Regardless of their social status, men endeavored to do far more than shuffle about with their jeans around their ankles. A man’s shirt, his tie, his slacks, his fedora, they were his signature. When you looked at a sharply dressed man with his tie fixed just right, you knew that you were looking at someone who took pride in their appearance, and themselves. Men were gentlemen; they were polite, spoke with a modicum of intelligence, and treated women with respect.

“And women were women. Women always dressed nicely, with a nice dress or skirt, and respected their bodies, at least in public. Women spoke with an air of nobility, and carried themselves in a manner that said ‘I am to be pursued, not to pursue’. Women did not go out of their way to make life harder on the gentlemen, good women, and men, good men, did not go out of their way to demoralize the woman. Not everyone followed the gentlemen’s code and the lady’s code to a T, but the good ones, well, they did their best.”

Now by no means am I calling for a counter cultural revolution that will see urban clothing done away with or women occupying space only in the kitchen, by no means at all. However, I am saying that there is a reason why men wear ties, and women wear dresses and skirts.

I find that I can be quite attracted to a woman in jeans, flats and a t-shirt, but there’s just something about a girl who knows how to slip into something a bit more fancy that will always turn my head. I find that if the best you can do is flounce about in tops cut so low and skirts split so high that you may as well be nude, well, you’re not even close to being on my radar. There’s a time and a place for that, and every opportunity you get when you go out is neither. Just as, men, there is a time and a place for your favorite pair of Levi Blues or Enyce Cargoes, with your Bob Marley t-shirt or Adventure Time sleeveless (speaking about myself with that last one, Finn and Jake forever!), however there is always an unexpected opportunity to prove that “old world fashion” will get you much farther in life than your credibility with your homies will.

Do I sound like an old curmudgeon railing and caterwauling on about the misguided direction of the youth of today? How old do you think that I am? Thirty? Forty? Fifty even? I get that quite often.

Twenty five. I am twenty five years old. Just turned as of a month and some change ago.

I used to wear a tie every now and again, or for interviews and exceedingly special occasions. I’m older now, and ever since high school have held positions in pawn shops, law firms, child care, church organization, and IT. I’ve begun wearing a tie every day to work, even though I’m not required to. I am harkening back to the teachings of days long past, ideals that I have held since I was a child, and I am leading my young nephew by example.

Why? The answer is very simple.

Because, a gentleman always wears a tie.

Would You Still Love Me If I…

Love is a wonderful thing. I find myself writing about it often, even though that’s never my intention. There’s generally almost always a romantic plot or subplot to my writing, and even if we aren’t talking the “Let’s get married!” sort of love, the big L is still a large part of what I write.

I’m a romantic. I got it from my smarmy parents I guess. What’s more, God is love, and Christ is the center of my life and my first true love, and so since Love is our great commission from Him it stands to reason I can’t help writing about it quite often.

I enjoy writing love stories, and I feel compelled to because of the ridiculous concept of “love” that worldly media paints. Drama and gossip is exciting, and we want to feel justified when we act how we shouldn’t. Wouldn’t it be a lovely thing if someone told you that everything you ever did in your life was the right thing to do?

We have so many books and movies that tell you it’s okay to be caught between two lovers, yoyo-ing back and forth between them as it tickles your fancy. They tell you its okay to leave someone at the drop of a hat for someone else, and they reinforce the idea that the moment someone you claim to love is injured, damaged, difficult or not quite the same as when you started that you’re justified in up and leaving.

Let me just be blunt and state that doesn’t make you driven, focused, flirtatious or any of the above. It makes you a coward, plain and simple.

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Still, there are some stories that use this plot device and do so in a fascinating manner. One of my favorite movies in all of its various re-imaginings is Appleseed (despite Briareos suddenly not being an ethnic other any longer…). Most recently, as of a few years back, they did a movie titled Appleseed: Ex Machina. I believe it was the first movie I rushed out to get on blu-ray. The rebooted story follows Deunan Knute and hubby Briareos on a mission to stop a rogue AI from wiping out the planet as we know it. Briareos was mortally wounded in the line of duty some years prior, and his body was all but destroyed. Much of it was replaced with cybernetic enhancements, leaving him with only his arms intact. Little did they know that the force they worked for had cloned Briareos for reasons implied to relate to his amazing prowess in battle.

The top brass decide that the clone, Tereus, will accompany Deunan and Briareos as they attempt to stop the Halcon virus, and despite her best efforts Deunan can’t help but feel herself pulled between the two of them. Being a clone of Briareos from before his World War III injuries, he has the face and voice of the man she loved for many years, and of course the vast majority of his mannerisms and traits as well. While his own man, his clone origins leave Tereus deeply attracted to Deunan and his orders make him almost eager to see Briareos fall to the virus and go berserk.

Watching Deunan’s struggles was a painful and intriguing experience; the story was realistic and well written. The resolution was exceedingly well done as well.

Love is a trigger word for my wallet; if you’re not writing a meritless story about some girl bouncing between all the guys she likes, rather a true love story you’ll likely get my money. I loved the “How Far Would You Go for the One You Love?” tag of Shadow of the Colossus, and likely would’ve given it a shot even without the amazing gameplay and concept that came with it. What I’ve played of Xenoblade and Pandora’s Tower was great as well.

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I also love stories that demonstrate the love and devotion of family, such as Nier Gestalt and Lone Wolf and Cub.

I feel like love is a great emotion to convey in a story; it resonates with everyone. We all either have love or want love, and can all either give love or take love in some capacity or another. We can be in love, we can be loved, we can reject love, we can desire love, and the big L has caused great nations to rise and fall across time immemorial. Love is one of the most powerful emotions in our arsenal, both in life and in the pen. Love and Fear are two of my favorite swords to cut my literary path with; they’re emotions that reach us on a very primal level and often times go hand in hand.

Love and Fear, Fear and Love, they go together like the sun and the moon. When you have love, perhaps you fear losing it. When you don’t, perhaps you fear gaining it, or never finding it again. Perhaps you were cut deeply by love, and so experience fear. Perhaps you reject fear, and desire love. Intertwined, they oft become two halves of the same whole.

My upcoming dual release of The Blackest Rain: Sorrow and The Blackest Rain Book 1: The Sovereign explore those halves in a very raw and real manner. On the outset we’ve got the story of the devil slayer Rosalia Valentine reeling from the death of her uncle who raised her setting off on a mission to save the children of a small protestant village from a demonic Count. Beneath that we have her fighting to recover from the betrayal of her boyfriend/fiance of four years, a night walker called Vincent, and the return of the first man to break her heart, a German devil slayer by the name of Graham Himmel.

Rose is caught between the pain of her uncle’s death, the betrayal of Vincent, the return of Graham, and the anniversary of the day her mother abandoned her at age six. Somehow she has to hold on to her faith in God while struggling against all of these conflicts thrown in her face one after the other. And now, Graham wrestles with being content to be by Rose’s side during this time of great conflict and turmoil, and his irresistible urge to try and rekindle the flames he’d smothered so many years ago.

“Would you still love me…if I broke your heart?”

In More Than a Fairytale Book 1: Xea’s Story, we see the destruction of the relationship of trust and confidence between protagonist Xea and older sister Leah, as well as the loss of faith between parent and child therein. As Xea is suddenly caught up in an otherworldly conflict, having to battle against the forces of the dark empress known only as The Mistress, the question between parent and child becomes

“Would you still love me…if this was all my fault?”

and between siblings becomes

“Would you still love me…if I failed to protect you?”

Love is a beautiful, wonderful, terrible, powerful weapon/tool/emotion/state of being. Please do wield responsibly.

More Than a Fairytale Book 1: Xea’s Story has been temporarily taken down as we move to a new publisher, and will be available once again mid May.

The Blackest Rain: Sorrow and The Blackest Rain Book 1: The Sovereign will both be available for purchase following the June 7th First Friday launch event at Dessert First in Anchorage, Alaska. We’ll be taking pre-orders the week prior.

-Eugene W.

“Xeawn”

@DragonHouseAK

http://www.dragonhousestudios.org

http://www.xeawnsgamingcorner.com

Are Video Games Mature Enough to Deal With Truly Dark Themes? (Also on Xeawn’s Gaming Corner)

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And, are gamers? This is a follow up to my previous articles on a similar subject, and can be considered part three in the recent series of maturity articles. As y’all know, I don’t do short articles, so I figured I may as well break this up over the course of several days. This is leading up to an all day mega session with Tomb Raider that CainKarl and I will be doing next week (we did that already), and then Xeawn’s Gaming Corner will return to the generally more lighthearted articles you all know and love. As per the last two articles, please use your own discretion for your tolerance to topics that society has molded us to be uncomfortable discussing.
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Do Horror Game Stars Need to be Girls? (Also on Xeawn’s Gaming Corner)

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*DISCLAIMER!: This is part 2 in a 3 part series of articles that are more mature than the XGC norm; please exercise your own discretion when reading! Regular articles will resume after Tuesday’s Tomb Raider review!*

Maybe not just games either. I was thinking about that this morning (about a week ago now), or maybe it was last night (about a week ago now) because they both sorta ran together for me (about…well, no, that’s pretty normal for me…), as I began laying out plans for a few new horror novels that I’ll be writing. The star of the first pure horror story I started working on is a girl trapped in a castle she’s desperately trying to escape while a number of unsavory characters are stalking her for unknown reasons. Why did I specifically choose a girl? I unno’, I just did. Amelia was just right for the part.

A different story with strong horror elements stars a father trying to protect a little girl in a hellish nightmare realm where he’s unable to tell fantasy from reality and has a number of frightening demons to contend with. Why did Roy work for this story? I felt a father trying to protect his daughter worked better in this scenario than a mother and daughter; I wanted to hit fear on a different level. I wanted to work with taking away from men the largest thing that makes us feel like men, and that’s a sense of power and the capacity to protect what we care for. I wanted to force the man to be in a situation where not only was he helpless, not only was he helpless to protect a child, he was helpless to protect a daughter.
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Race in Gaming and Why the Internet Should Hush (Also on Xeawn’s Gaming Corner)

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So there’s a character in Borderlands 2 by the name of Tiny Tina. I guess some people are pretty upset about her? Apparently she’s a petite young (as in, probably twelve to fourteen) white girl who talks in stereotypical ebonics, or “Gangsta Slang”. I guess a lot of folks are really upset about that. Of course it’s the internet and a lot of folks aren’t too. And of course it’s the internet so we have a myriad of people insulting each other and arguing over the character in an exceedingly unintelligent and aggressive manner.

Now, I’ve got a personal policy to just not get involved in internet slap fights, because so long as people can hide behind the shield of anonymity they will 99% of the time continue to be rude, unintelligent and antagonistic. That’s probably the largest problem with the internet (y’know, aside from hackers and junk); when people have the option of treating you however they want to with zero consequences, unfortunately the overwhelming majority of people choose to be abusive instead of kind. Oh well, what are ya gonna do right?
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The Deepest of Pains

We writers are a strange breed. We spend quite a lot of time being different people, in different places, doing different things. I have been every race under the sun, I have been nearly every occupation, and I have drifted from being the kindest of hearts to the most vile and repugnant of them all. I feel that to truly write a good story you must become your characters, and not just your heroes either. Now of course this doesn’t mean I occupy my time kicking kittens and popping balloons when I’m writing a villain, but I do take the time to seclude myself and get into the head of each of my characters, living as them, breathing as them, dying as them.

There’s a movie Will Farrell was in, Stranger Than Fiction, which I regrettably never got to finish but enjoyed immensely nonetheless. In that movie, the writer therein would make common practice of becoming every experience she was writing, culminating in my favorite scene, the “dying” scene. The writer is stuck in that she is trying desperately to find the right way to kill her protagonist, and spends much of the movie in various states of “death”. One of my favorite scenes has her standing barefoot on the edge of her coffee table. The woman who is supposed to be helping to motivate her and keep her on task walks into the room and asks what she’s doing. The writer replies “I’m going to kill myself” and after gathering her nerve, jumps off of the table. A few moments later she declares “No, that’s not it either” and sets about finding a new way to “end her life”. Another favorite has the writer standing in a powerful rainstorm, contemplating the sensation of drowning. To me, these are some of the purist representations of the place many writers take themselves when creating the most authentic of works.

I try not to work on a novel when anyone else is in my house. I’m routinely walking, jogging or running up and down the hallway and bounding all over the room depending on what the circumstance demands. I speak in no fewer than three different languages, most of them in human tongue, at varying pitches and octaves with varying levels of ferocity and timidity. I speak and act the parts of heroes, villains, boys and girls. Humans, aliens, angels, devils, all of them. On rare occasion I’ll let an extremely curious friend in on small parts of my creative process, but have to date shown no one the process in totality.

Writing is a very private and intimate thing. Writing is a very public and outspoken thing. Writing simply is.

 

I spend a lot of my time contemplating worsts. Depending on the type of story I’m working on, as I lay still and “dive”, I contemplate what the worst something is. One of those worsts is pain. Not physical, rather spiritual, emotional and psychological. In the stories of others, whether a novel, an anime, a movie or a video game, I am always looking to feel something. I’m very off put by media that makes me feel nothing. That isn’t to say I don’t enjoy, say, Expendables 2 for instance (which makes me feel quite a broad range of things to be truthful :D), and I’m far from the critic who decries any media that is not “artsy” and “avant garde”, but I need to feel something. I once spent an entire day listening to four hundred different versions of “Cry Me a River” trying to find one that made me feel on the level I was looking for. I haven’t quite found the sound I’m looking for, but Susan Boyle has a lovely rendition.

There are times that I ponder what is the worst pain or most frustrating pain to find oneself in. I can’t really put into words my interest in that anymore than I can in the macabre, dissonant or whatever else is in between, but it’s something that makes me curious nonetheless. I think that, in many ways as writers we use our novels as a catharsis  as a means to push through our struggles, celebrate the joys of the world, or simply experience something unique, different and new.

There are some stories, such as Epsilon’s Eclipse that I write simply because I desire to challenge myself, to see if I can write something that seems quite impossible to do with a Christian emphasis. There are other stories such as The Ballad of the Damned that I write because of an interest in the genre. There are other stories, such as The Blackest Rain, that come to life because I needed an outlet for my struggles at the time, and writing is how the world makes sense to me.

I would like to take this time to state quite clearly that this world makes very little sense to me; it is simultaneously uninteresting and the most interesting thing in existence, and filled with both the most wretched examples of life, and the most wonderful caricatures thereof. In short, the world is a beautiful ugly awful wonderful place that is very exciting to experience each turn anew.

Writing helps me gain perspective and push through certain experiences. I pondered this evening the question of what I find to be the most awful or deepest of pains. If you asked me this question two years ago (was it two? I honestly stopped counting quite a bit ago), I would say that one of the deepest pains that can be inflicted upon you is that of caring for someone more than they care for you. Today, I think the most frustrating one is feeling as though you cannot be heard.

Something of this difficulty can be seen in More Than a Fairytale Book 1: Xea’s Story. The protagonist has a very rocky relationship with their parents, and an all but nonexistent one with their sister. In this novel we see Xea struggling to deal with a very painful secret in the past, as well as a family in which there is nothing in common and very little to relate to. The relationship we see between father and child in particular is a quite difficult one for Xea to reconcile and push through, and the relationship between siblings is one in which communication has little to no weight, bearing or possibility.

I think the most frustrating thing is feeling as though what you have to say doesn’t matter, or that the person you wish to say it to simply won’t listen, change or budge. Now, in many situations this is actually quite easy to deal with. Aggravating though it my be, you can always walk away from a friend or significant other. Well, unless you’re married. Then you’d best find a way to work that out! Ah, but I digress, in a friend or a boyfriend/girlfriend you can simply decide enough is enough and part ways either for a time or something more permanent. This becomes more complicated when the individual whom you feel you matter very little to is say, a boss or family member.

Before anyone takes this out of context, my boss is super mega awesome.

I have both been recently and in the past in one of the less desirable scenarios, as have many of my friends, and to put it frankly, it sucks. I think that the more you love, adore or look up to and respect the individual, the more infuriating the situation becomes. You begin a downward spiral in which you feel your best is never good enough, you rack your brain constantly trying to find the right thing to say, you feel like it’s impossible to speak to the person about anything that upsets you or hurts you, because you feel that individual simply doesn’t care. Perhaps you’ve tried, perhaps that person only responds to you with anger, or an antagonistic tone. Perhaps experience has taught you that no matter what you do it will not be received, or met with ridicule. Perhaps you’ve explored every option that you can imagine, and yet something beyond you feeling worse than when you began yet eludes you.

What’s the solution?

*shrug*

Heaven if I know!

That’s the wonderful thing about being human; not a one of us has all of the answers. Part of why I write the books that I do, beyond spreading the gospel in an innovative way and spinning a good yarn, is because I figure there’s no such thing as new pain under the sun. If you’re experiencing something awful, chances are someone else in the world has and is as well. If you have no idea what to do about it, I can guarantee you that there are hundreds, even thousands of others that a grasping at quicksand just as gravely as you are. I figure, for the pains that I’ve figured out, perhaps someone else can read my novels and figure something out too. If nothing else, perhaps they’ll see that life goes on, and it does get better.

If I haven’t figured it out, well, at least you know you’re not the only one going through it!

I have learned quite strongly if nothing else in my life, you can’t force someone to change or to listen. For those people that you can do something about, perhaps it’s time to do something about. For those that you can’t, well…

A little prayer goes a long way. Good evening everyone, be blessed and may God watch over you all.

 

-Eugene W.
a.k.a. Xeawn R.

So, Let’s Talk about Death!

So, let’s talk death huh? Yaaay! This is a topic that most people tend to shy away from, which is very interesting. If you are a saved and baptized believer, you know that as Vlad Dracul would say “Transient guests are we.”

We exist in a world that despises both us and our Lord and Savior, and we know that once we depart from this place we’re going to the most wonderful, peaceful and pain free place that we can’t possibly even begin to fathom. Yet people are afraid to talk about dying.

For those of us that are left behind, it can be an awful feeling where, we know our loved ones are in a much better place, but that doesn’t matter too much at the time because we want them here. We want them with us. We miss them, we love them, we need them, and nothing can really prepare you for the pain and loss that you’ll experience, even if you knew it was coming for some time.

I remember when my grandmother Wenona Irma Ward passed, I was completely and totally devastated. I’d been taking care of her for three years as she had gotten very ill in her late life, and every day she was such a large part of mine. I would get up in the morning and come to her room after checking on her all throughout the night. I would help her up, and once she was ready to face her day I’d make sure she had a good breakfast. I would call and check on her and talk to her throughout the day, and when I came home I would make her dinner.

We would eat together and talk about our days, and we would break bread together. I would sit and have tea with her and we would talk about everything under the sun. She would share with me her memories, her joys, her sorrows and her regrets. When she knew that it was her time, two days before we took her to the hospital, she told me

“Grandson, dearest, I want you to promise me something.”

And I said

“Yes ma’am?”

And she said

“Everyone else is going cry when I go home. I’d tell them not to, but, they won’t listen. But you, don’t you cry until I go home. I want you to smile to me, and talk to me, and sing to me, right up until I’m gone. I don’t want my death to cause anyone pain; it’s a happy occasion. When I go though, then you can cry. Promise?”

And I nodded and said

“Yes ma’am.”

And I honored her promise.

I knew that my grandmother was passing, and even then I wasn’t prepared. What really broke me was I wasn’t there when she died. I don’t regret it; she told me “Boy, you better go to work!” and so I did. I’d stayed at the hospital for like, three days and nights with her, and then I went into work that morning. I got the call right after a meeting I was at ended, that was slipping and it was time. I got to the hospital a handful of minutes after she was gone.

I honored my promise and didn’t cry until they had put her in the bag and taken her away. I thought I was ready. I clearly wasn’t. I completely fell apart and sobbed so hard I almost collapsed.

My family and my friends protected and supported me during this time, and I think on her now with nothing but the fondest of memories. Death is never something we’re prepared for, but it always means something. It is no respecter of person; whether you are rich or poor, young or old, brave or cowardly, death comes for us all. The only difference is, where will you go when you die?

John 3:16, “For God so loved the world he gave his only son that whosoever believeth in him shant perish but instead have everlasting life.”

John 4:16 “I am the way the truth and the life; no one comes to the Father but through me.”

Death is permanent, death is no respecter of person, and death should always mean something.

One convention that I’m never very fond of is killing a character and then bringing them back and then killing a character and then bringing them back and so on and so forth. I don’t necessarily mind that near death suspenseful moment where you’re holding your breath and hoping and praying the hero will open their eyes and make it, as long as it’s not dreadfully over used. Overall though, I feel like when you kill a character, especially a protagonist, and then you’re like “Oh wait, I’m totally okay!” that just sorta makes the whole experience feel cheapened.

Now, I think in the right place it can be a well done plot device, but I feel like in that instance it shouldn’t be one of those “I watched you get shot/stabbed right in the head/heart! How are you still here?”

“Oh, well, using the ancient technique of/using the power of/using time travel/using etc. I came back!” type of deals.

By and large I’m a firm believer that when you die, you’re dead. Unless you’ve got a darn good reason to suddenly not be dead, if you die in one of my novels you’re gone. In that regard, I try to be exceedingly cautious when I make the decision to end a character’s life, hero or villain. When someone dies, or when you’re afraid that someone is going to die, it means so much more when you know that there’s nothing that can change what’s coming.

When you understand the weight and importance of death in a Dragon House Studios novel, and you’re reading and being taken on this hard won hard fought journey where nothing is promised, you’re pulled in so much deeper than before. I think two of the greatest compliments I’ve ever received on my writing was when one person told me “I was so mad at you! I was so scared that ___ was going to die, and you just dragged that out and I kept waiting and hoping and then there were the blank pages of silence and then-“ and I’m just gonna stop right there before something gets spoiled for you.

The other compliment was when someone, a friend, came up and punched me in the arm shouting “YOU JERK! YOU KILLED ___! I CAN’T BELIEVE YOU KILLED ____! I HATE YOU SO MUCH RIGHT NOW!!!”

Yeah, it was pretty great.

This is gonna sound a little bit morbid, but, I feel like if I’m able to elicit that strong of a reaction out of character death then I’ve done my job well. You’re endeared to a character, you’re attached to them, you love them and you care for their well-being. When they hurt, you hurt. When they smile, you smile. When they experience loss, you experience that loss right along with them…and when they die…

It means something.

So, do you know where you’re going when you’re gone? How do you feel about character deaths? Have you experienced a loss that shook you as well? Take heart and faith in the love and goodness of God and His promises, and know that there’s a home in heaven for all of us. This has been a Dragon House Studios spotlight. Much love, God bless, and be safe out there.

-Eugene A.R. Ward
“Xeawn”

What’s in a Name? Dragon House Studios Spotlight

Why is your studio called Dragon House Studios?

 

Literally, because I like dragons : ). To give a more direct answer though, I’ve always loved the concept of dragons and thought having one as a pet or a best friend would totally rock. I grew up learning about all kinds of different cultures, and of course Anne McAffrey is one of my favorite writers of all time. I was born in the year of the Golden Dragon, if we were to follow the zodiac and all that jazz, and I’ve just had a natural affinity for them pretty much all of my life.

 

Isn’t Dragon House a Christian Studio?

 

You bet your biscuits it is!

 

You’re talking an awful lot of mysticism though…also, aren’t dragons evil in the Bible?

 

I’m glad you asked! I generally get one of two reactions from Christians when my studio name is brought up in conversation. They tend to either fall in the “Dragons? AWESOME!” category (less conservative), or the “Dragons? …I see…” category (more conservative). Now, don’t misunderstand, I’m nowhere near trying to push the one world religion agenda; far as I’m concerned if the Bible says something is legit then it’s legit, and if not then tough bananas. Still, we’re all convicted of things differently.

An example, Sleeping Dogs is pretty much my Game of the Year right now, and it’s a hardcore Triad Syndicate title. Some folk might go “Whaaaaaat?!” while others might shrug and be like “Whatevs” just like some folk are cool with shows like Merlin (I’ve never watched it by the by, but I’ve heard it’s like Smallville but with magic?) and others not so much.

So, I’m really not convicted of my fondness of dragons. Going a step further, I’d like to direct your attention to the Book of Job in which the leviathan was loosed in the sea by God’s creation and command, and pretty much started wrecking fools. A second leviathan was sent with the same destructive purpose, and then after a certain point God decided the point had been made and severed the head of one of them (so as not to let such a destructive beast procreate).

By the way, I have always been deeply unnerved that to my knowledge there was never anything stating that the female leviathan was slain or died out, so…deep sea divers, ya might wanna look out for that…

So in that regard, analyzing this scripture one might come to the conclusion of the leviathan being God’s tool of destruction, a very uncanny way to resolve a conflict, one that was sent at His behest to change the world and attitudes of those involved. I view the leviathan as a tool. A gigantic really scary tool that can eat you and wipe out your armada, but a tool nonetheless.

Relating that line of thinking to the studio, we’re nothing more than a tool. A tool with a really, really awesome name, and one that intends to disrupt and annihilate a world ruled by Satan’s teachings and sin.

So, take from that what you will. Also Leviathan House Studios sounds nowhere near as cool, so, deal.

 

Some of your books have weird names…

 

Only some?

 

A lot of your books have weird names…

 

That’s better, I thought I was slipping for a moment there! The names of my novels aren’t necessarily immediately apparent in how they relate to the stories. Sometimes they are about as obvious as a slap in the face, other times as subtle as a spider bite in the night. There’s books like Loneliness and More Than a Fairytale where the theme is pretty darn clear. I think the Ballad of the Damned is vaguely more subtle, but it’s still fairly obvious what’s going on there, especially if you take the Grind House theme into account.

I’m working on a book right now, Apples Falling to Oranges, which is kind of a companion novel to the also unreleased and still early novel Chalice. For both of these novels, the point of the title is not especially clear, not until you get much further in.

My three flagship novels, none of which are released but all of which have a minimum of the first book in each series finished, are Academia, The Matriarch’s Daughter and The Blackest Rain. I consider these three novel series as well as More Than a Fairytale and its expanded universe to be the four pillars of the studio. For Academia, once you get a few chapters into the first book you know why it has that title. The Matriarch’s Daughter is pretty self-explanatory, and I already touched on More Than a Fairytale.

I think what’s more complicated is The Blackest Rain. What I think is interesting about all of the naming conventions here is that there is a certain elegantly complex simplicity that they convey. The Blackest Rain, if you take it at face value, is clearly a book about a torrent of painful and negative emotions that the protagonists have to deal with.

As you go through however, you begin witnessing and understanding the deeper layers to each title, and begin to understand the complex concepts that they convey. You begin to understand that there’s more to it when you reach beyond face value, so, that’s pretty cool.

I want all of my novels to have that feeling. I have a process to my writing where there’s the theme and the purpose. For example, More Than a Fairytale is a story with a lot of action, drama, pain and some horror elements. There’s the outset goal that Xea has to fight across an unknown land while protecting a baby and trying to find out why exactly the empress has murderous intentions for the family. On the outset, it’s a story with the goal of discovering “Who are you, why do you hate me, and where do I fit into this game of royal intrigue and murder.”

Beneath that there is the layer of a family drifting about and crumbling at the foundation. It asks the question of how far can you fall and how deep can you sink before you lose yourself and can’t find your way out.

Going deeper than that, it explores the unique bonds that siblings share, and how truly important said bond is if they are to survive.

Going deeper than that, it asks the question of how do you find the strength to get up every morning, look at yourself in the mirror, and find something worth pushing forward when you’re trying to recover from a horrible childhood trauma.

Going deeper than that, it drives home the understanding that no one is an island. The novel makes clear that your actions, no matter how much you tell yourself only have to do with you, affect your entire family, and your friends as well. The story examines the loose ends that parents don’t attend to, material, spiritual, emotional, that their children have to face and deal with. There’s also the journey of trying to climb back up that mountain after you’ve been thrown to the bottom and dashed upon the rocks.

Ultimately everything culminates in a series of choices. While the goal of the story is escape the Other Side, survive, and kill the Empress, the deeper feel and point to the story is the bond between the siblings Xea and Leah, and a journey of self-discovery.

 

What can we look forward to next?

 

Presently I’m pouring a lot of energy into Apples Falling to Oranges, though that’s a sci-fi/slice of life/action story that you won’t be seeing for some time. My studio is in the editing and proofing phase for Academia Book 1: Birth, The Matriarch’s Daughter Book 1: Silentium Nocturne, and The Blackest Rain: Sorrow. You can expect to see those rolling out towards the end of this month and carrying over into the next one.

In between that, I’m proofreading some new ashcans. There’s a hardcore sci-fi/fantasy/military fiction ashcan Restoring Order, the horror/drama/fantasy action ashcan A Necessary Sacrifice, and the action/spiritual warfare/fantasy adventure ashcan Malevolence. I’ll have more details on those later, as well as expected release dates.

 

Any last words?

 

YOU’LL NEVER TAKE ME ALIVE! Wait, what? Ah, but seriously, thanks for giving this a read, and please do tell your friends all about the studio. Also hop on over to www.lulu.com and pick up some books while you’re at it! And check us out on the twitter, @DragonHouseAK

Thank you all, be blessed, and keep rockin’ baby!