Excerpt from Upcoming Noir Mystery Thriller: A Sinful Lady Innocent

This story, like most stories, begins with a dame. Don’t take offense ladies; dame, noun, reserved for a woman of such great stature, honor, power and grace as to be the equivalent of a knight. From the Latin or Old French domina, meaning mistress. Which, subsequently is also a noun, meaning a woman in a position of authority or control, such as being the mistress of one’s situation no matter how mired with entropy. Other meanings, a female who has taken the position of head of her household, or a woman who is extremely skilled in a particular subject or activity. From the Old French maistresse, meaning master.

So yes, both in terms of gender and the very nature of the word, this story begins with a dame. Unfortunately, said dame happened to be laying on the floor in a more wretched state of affairs. The predominant question at the time, next to who and why, was whether or not she suffered.

“Looks like we’ve got a real psychopat on our ands, eh Byron? Serial killer I bet.” Jayson Pierce half asked me and half told, dropping the H like he often did, his voice thick with a combination Welsh and Jamaican accent. The chief of police with seven years tenure in the position, there weren’t many that would argue his manner of speech. That was, in the ego and sensibilities of most higher ups, a surefire way to ensure you would not be climbing the corporate ladder any time soon.

“…I’m not so sure Jaice; right now you’re only reconnoitering the most obvious traits of the victim’s field.” I posited, slipping easily yet with practiced control out of my long coat. I held the sage green blended, double breasted turn down collar affair out to my assistant, bodyguard and constant compatriot who took it wordlessly. No eye contact was necessary; I was already focused deep on the woman in plum laid so carefully out on the floor. Shi’Sanna Bronsen took my coat, and carefully folded it over one bare, well toned arm before returning to her candy.

“Ow ya figer, Byron?” Jayson inquired, reaching up to remove his derby cap and then thinking better of it. Good man; no sense contaminating the crime scene with loose strands of hair, though his raven would’ve certainly stood out against her blonde.

“This is too intimate for a serial killer.” I reasoned, slipping on a pair of sterile white gloves.

“Ow so? See’s got er digits acked off, asn’t see?” Jayson grumbled, never one to enjoy being told he’s wrong.

“Good way to make sure there’s no DNA to be found under her fingernails, certainly. Still, too much else is off.”

“Suc’ as?”

“…”

I took a deep breath. She smelled too pretty to be a corpse.

“For one, there’s the perfume. For another, the outfit. The color coding is ludicrously careful, and the care of the arrangement… Look at her heels, the shoes not literal. She’s worn them often enough, and had them restored more than once. Her hair is immaculate, her makeup perfectly sculpted.

“Intimate. Someone knew her and knew her well. Someone wanted her to die in her Sunday best. Favorite clothes, and I bet if we searched her kit we’d find enough of the makeup to hazard a better than average guess that she likes this color and brand a great deal. Then, there’s the room.”

I rose, and nearly drowned in the intoxication of the rich. Sprawled out before me was a spread that would’ve paled only beside Solomon’s. To say that the victim, a one Suzanne Headly, had done well for herself would be an understatement of the magnitude as to say it is cold in Fairbanks, Alaska in the winter.

Everything was designer, none of it off the rag. A good number of pieces were likely made to order, and at least several vases and other such conversation starters had been featured in some museum or other. There were tapestries hand woven or stitched from remote villages with names too difficult to pronounce and reputations too volatile for a pretty white blonde to venture without entourage. The floor to ceiling windows lining the living room wall had a view of the city that was not just enviable, it was beyond decadent.

The colors and set pieces themselves were coordinated to such an obsessive compulsive degree that I doubted Suzanne owned a single piece of clothing that didn’t fit to great perfection. Even so, when you looked at the deceased, eerily resplendent woman on the floor it was clear this outfit matched the best.

“…This is more than just a psychopath’s playground, and deeper than an ordinary crime of passion. The evening may not have begun with murder on the mind, but the act committed was calculated for a very long time. Call it a hunch.”

“Well I, ey’! Wat are ya doin’ Bronsen?!” Jayson suddenly erupted. I turned my head just so. Shi’Sanna was crouched low, lightly touching at a spot on Suzanne’s throat.

“C’mon Jaice, you oughta know this by now. Shi’Sanna can’t get her prints on anything. Can’t leave behind what you don’t have.” I sighed with annoyance. I hated repeating myself and clarifying what ought already be clear.

“I know, but it still might muss sometin’ up!” he began our age old argument. I bit back a bitter retort as Shi’Sanna slowly looked my way.

“The foundation is sloppy. The foundation was applied, and then re-applied, and then re-applied. The marks are not even despite being meticulous. The hand was shaking. Look here; these marks are from choking. These ones are not.” Came her deep, rich voice, her Trinidadian accent somewhat mired by the years abroad.

And, with that, Shi’Sanna stared at her smudged white fingertips, odd against her rich, whipped chocolate tone, and stood. I nodded, and she took my kerchief out of her pocket to wipe them clean. Retrieving the sucker from behind her ear, she returned to staring idly out of the floor to ceiling windows at the twinkling, pulsating night below.

She likely wouldn’t say anything else for the rest of the investigation beyond “Boss”. Some people mistake Shi’Sanna for being slow; she’s just a woman of few words more often than not.

“We’ll obviously want to examine the rest of the flat, but, one thing is certain. Somewhere along the line, love became hate, and someone very intelligent performed a murder tonight nearly ritualistic in its devotion. Though, I could be wrong. Perhaps not necessarily a lover, rather someone obsessed? Too many variables right now. Either way…it looks like I have a rather interesting case on my hands, now don’t I?”

“Mmm, look at you, some kinda super detective ya?” Jayson chided, a familiar spark forming in his eyes.

“…No,” I began slowly as I turned.

“Life has simply provided me a great many years with very little to do save pay close attention to my surroundings.”

My name is Byron Carmichael, and this is the beginning of a murder that would soon be known as a Sinful Lady Innocent.

Come, let’s walk hand in hand down the annals of the hallways of necrosis and despair…

So, Let’s Talk about Death!

So, let’s talk death huh? Yaaay! This is a topic that most people tend to shy away from, which is very interesting. If you are a saved and baptized believer, you know that as Vlad Dracul would say “Transient guests are we.”

We exist in a world that despises both us and our Lord and Savior, and we know that once we depart from this place we’re going to the most wonderful, peaceful and pain free place that we can’t possibly even begin to fathom. Yet people are afraid to talk about dying.

For those of us that are left behind, it can be an awful feeling where, we know our loved ones are in a much better place, but that doesn’t matter too much at the time because we want them here. We want them with us. We miss them, we love them, we need them, and nothing can really prepare you for the pain and loss that you’ll experience, even if you knew it was coming for some time.

I remember when my grandmother Wenona Irma Ward passed, I was completely and totally devastated. I’d been taking care of her for three years as she had gotten very ill in her late life, and every day she was such a large part of mine. I would get up in the morning and come to her room after checking on her all throughout the night. I would help her up, and once she was ready to face her day I’d make sure she had a good breakfast. I would call and check on her and talk to her throughout the day, and when I came home I would make her dinner.

We would eat together and talk about our days, and we would break bread together. I would sit and have tea with her and we would talk about everything under the sun. She would share with me her memories, her joys, her sorrows and her regrets. When she knew that it was her time, two days before we took her to the hospital, she told me

“Grandson, dearest, I want you to promise me something.”

And I said

“Yes ma’am?”

And she said

“Everyone else is going cry when I go home. I’d tell them not to, but, they won’t listen. But you, don’t you cry until I go home. I want you to smile to me, and talk to me, and sing to me, right up until I’m gone. I don’t want my death to cause anyone pain; it’s a happy occasion. When I go though, then you can cry. Promise?”

And I nodded and said

“Yes ma’am.”

And I honored her promise.

I knew that my grandmother was passing, and even then I wasn’t prepared. What really broke me was I wasn’t there when she died. I don’t regret it; she told me “Boy, you better go to work!” and so I did. I’d stayed at the hospital for like, three days and nights with her, and then I went into work that morning. I got the call right after a meeting I was at ended, that was slipping and it was time. I got to the hospital a handful of minutes after she was gone.

I honored my promise and didn’t cry until they had put her in the bag and taken her away. I thought I was ready. I clearly wasn’t. I completely fell apart and sobbed so hard I almost collapsed.

My family and my friends protected and supported me during this time, and I think on her now with nothing but the fondest of memories. Death is never something we’re prepared for, but it always means something. It is no respecter of person; whether you are rich or poor, young or old, brave or cowardly, death comes for us all. The only difference is, where will you go when you die?

John 3:16, “For God so loved the world he gave his only son that whosoever believeth in him shant perish but instead have everlasting life.”

John 4:16 “I am the way the truth and the life; no one comes to the Father but through me.”

Death is permanent, death is no respecter of person, and death should always mean something.

One convention that I’m never very fond of is killing a character and then bringing them back and then killing a character and then bringing them back and so on and so forth. I don’t necessarily mind that near death suspenseful moment where you’re holding your breath and hoping and praying the hero will open their eyes and make it, as long as it’s not dreadfully over used. Overall though, I feel like when you kill a character, especially a protagonist, and then you’re like “Oh wait, I’m totally okay!” that just sorta makes the whole experience feel cheapened.

Now, I think in the right place it can be a well done plot device, but I feel like in that instance it shouldn’t be one of those “I watched you get shot/stabbed right in the head/heart! How are you still here?”

“Oh, well, using the ancient technique of/using the power of/using time travel/using etc. I came back!” type of deals.

By and large I’m a firm believer that when you die, you’re dead. Unless you’ve got a darn good reason to suddenly not be dead, if you die in one of my novels you’re gone. In that regard, I try to be exceedingly cautious when I make the decision to end a character’s life, hero or villain. When someone dies, or when you’re afraid that someone is going to die, it means so much more when you know that there’s nothing that can change what’s coming.

When you understand the weight and importance of death in a Dragon House Studios novel, and you’re reading and being taken on this hard won hard fought journey where nothing is promised, you’re pulled in so much deeper than before. I think two of the greatest compliments I’ve ever received on my writing was when one person told me “I was so mad at you! I was so scared that ___ was going to die, and you just dragged that out and I kept waiting and hoping and then there were the blank pages of silence and then-“ and I’m just gonna stop right there before something gets spoiled for you.

The other compliment was when someone, a friend, came up and punched me in the arm shouting “YOU JERK! YOU KILLED ___! I CAN’T BELIEVE YOU KILLED ____! I HATE YOU SO MUCH RIGHT NOW!!!”

Yeah, it was pretty great.

This is gonna sound a little bit morbid, but, I feel like if I’m able to elicit that strong of a reaction out of character death then I’ve done my job well. You’re endeared to a character, you’re attached to them, you love them and you care for their well-being. When they hurt, you hurt. When they smile, you smile. When they experience loss, you experience that loss right along with them…and when they die…

It means something.

So, do you know where you’re going when you’re gone? How do you feel about character deaths? Have you experienced a loss that shook you as well? Take heart and faith in the love and goodness of God and His promises, and know that there’s a home in heaven for all of us. This has been a Dragon House Studios spotlight. Much love, God bless, and be safe out there.

-Eugene A.R. Ward
“Xeawn”

What’s in a Name? Dragon House Studios Spotlight

Why is your studio called Dragon House Studios?

 

Literally, because I like dragons : ). To give a more direct answer though, I’ve always loved the concept of dragons and thought having one as a pet or a best friend would totally rock. I grew up learning about all kinds of different cultures, and of course Anne McAffrey is one of my favorite writers of all time. I was born in the year of the Golden Dragon, if we were to follow the zodiac and all that jazz, and I’ve just had a natural affinity for them pretty much all of my life.

 

Isn’t Dragon House a Christian Studio?

 

You bet your biscuits it is!

 

You’re talking an awful lot of mysticism though…also, aren’t dragons evil in the Bible?

 

I’m glad you asked! I generally get one of two reactions from Christians when my studio name is brought up in conversation. They tend to either fall in the “Dragons? AWESOME!” category (less conservative), or the “Dragons? …I see…” category (more conservative). Now, don’t misunderstand, I’m nowhere near trying to push the one world religion agenda; far as I’m concerned if the Bible says something is legit then it’s legit, and if not then tough bananas. Still, we’re all convicted of things differently.

An example, Sleeping Dogs is pretty much my Game of the Year right now, and it’s a hardcore Triad Syndicate title. Some folk might go “Whaaaaaat?!” while others might shrug and be like “Whatevs” just like some folk are cool with shows like Merlin (I’ve never watched it by the by, but I’ve heard it’s like Smallville but with magic?) and others not so much.

So, I’m really not convicted of my fondness of dragons. Going a step further, I’d like to direct your attention to the Book of Job in which the leviathan was loosed in the sea by God’s creation and command, and pretty much started wrecking fools. A second leviathan was sent with the same destructive purpose, and then after a certain point God decided the point had been made and severed the head of one of them (so as not to let such a destructive beast procreate).

By the way, I have always been deeply unnerved that to my knowledge there was never anything stating that the female leviathan was slain or died out, so…deep sea divers, ya might wanna look out for that…

So in that regard, analyzing this scripture one might come to the conclusion of the leviathan being God’s tool of destruction, a very uncanny way to resolve a conflict, one that was sent at His behest to change the world and attitudes of those involved. I view the leviathan as a tool. A gigantic really scary tool that can eat you and wipe out your armada, but a tool nonetheless.

Relating that line of thinking to the studio, we’re nothing more than a tool. A tool with a really, really awesome name, and one that intends to disrupt and annihilate a world ruled by Satan’s teachings and sin.

So, take from that what you will. Also Leviathan House Studios sounds nowhere near as cool, so, deal.

 

Some of your books have weird names…

 

Only some?

 

A lot of your books have weird names…

 

That’s better, I thought I was slipping for a moment there! The names of my novels aren’t necessarily immediately apparent in how they relate to the stories. Sometimes they are about as obvious as a slap in the face, other times as subtle as a spider bite in the night. There’s books like Loneliness and More Than a Fairytale where the theme is pretty darn clear. I think the Ballad of the Damned is vaguely more subtle, but it’s still fairly obvious what’s going on there, especially if you take the Grind House theme into account.

I’m working on a book right now, Apples Falling to Oranges, which is kind of a companion novel to the also unreleased and still early novel Chalice. For both of these novels, the point of the title is not especially clear, not until you get much further in.

My three flagship novels, none of which are released but all of which have a minimum of the first book in each series finished, are Academia, The Matriarch’s Daughter and The Blackest Rain. I consider these three novel series as well as More Than a Fairytale and its expanded universe to be the four pillars of the studio. For Academia, once you get a few chapters into the first book you know why it has that title. The Matriarch’s Daughter is pretty self-explanatory, and I already touched on More Than a Fairytale.

I think what’s more complicated is The Blackest Rain. What I think is interesting about all of the naming conventions here is that there is a certain elegantly complex simplicity that they convey. The Blackest Rain, if you take it at face value, is clearly a book about a torrent of painful and negative emotions that the protagonists have to deal with.

As you go through however, you begin witnessing and understanding the deeper layers to each title, and begin to understand the complex concepts that they convey. You begin to understand that there’s more to it when you reach beyond face value, so, that’s pretty cool.

I want all of my novels to have that feeling. I have a process to my writing where there’s the theme and the purpose. For example, More Than a Fairytale is a story with a lot of action, drama, pain and some horror elements. There’s the outset goal that Xea has to fight across an unknown land while protecting a baby and trying to find out why exactly the empress has murderous intentions for the family. On the outset, it’s a story with the goal of discovering “Who are you, why do you hate me, and where do I fit into this game of royal intrigue and murder.”

Beneath that there is the layer of a family drifting about and crumbling at the foundation. It asks the question of how far can you fall and how deep can you sink before you lose yourself and can’t find your way out.

Going deeper than that, it explores the unique bonds that siblings share, and how truly important said bond is if they are to survive.

Going deeper than that, it asks the question of how do you find the strength to get up every morning, look at yourself in the mirror, and find something worth pushing forward when you’re trying to recover from a horrible childhood trauma.

Going deeper than that, it drives home the understanding that no one is an island. The novel makes clear that your actions, no matter how much you tell yourself only have to do with you, affect your entire family, and your friends as well. The story examines the loose ends that parents don’t attend to, material, spiritual, emotional, that their children have to face and deal with. There’s also the journey of trying to climb back up that mountain after you’ve been thrown to the bottom and dashed upon the rocks.

Ultimately everything culminates in a series of choices. While the goal of the story is escape the Other Side, survive, and kill the Empress, the deeper feel and point to the story is the bond between the siblings Xea and Leah, and a journey of self-discovery.

 

What can we look forward to next?

 

Presently I’m pouring a lot of energy into Apples Falling to Oranges, though that’s a sci-fi/slice of life/action story that you won’t be seeing for some time. My studio is in the editing and proofing phase for Academia Book 1: Birth, The Matriarch’s Daughter Book 1: Silentium Nocturne, and The Blackest Rain: Sorrow. You can expect to see those rolling out towards the end of this month and carrying over into the next one.

In between that, I’m proofreading some new ashcans. There’s a hardcore sci-fi/fantasy/military fiction ashcan Restoring Order, the horror/drama/fantasy action ashcan A Necessary Sacrifice, and the action/spiritual warfare/fantasy adventure ashcan Malevolence. I’ll have more details on those later, as well as expected release dates.

 

Any last words?

 

YOU’LL NEVER TAKE ME ALIVE! Wait, what? Ah, but seriously, thanks for giving this a read, and please do tell your friends all about the studio. Also hop on over to www.lulu.com and pick up some books while you’re at it! And check us out on the twitter, @DragonHouseAK

Thank you all, be blessed, and keep rockin’ baby!

15% Off Sale Coming to a Close!

Tomorrow at midnight the 15% off sale will officially end, so snag your Dragon House Studios novels while you can!

 

This evening we’ll be discussing two topics, What’s in a Name, and A Child’s Heart. I look forward to sharing with you all these thoughts and pontifications (which I’ve decided is now a word), and as always wish you all a blessed day in the Lord!

 

“For I know the plans I have for you,” declares the LORD, “plans to prosper you and not to harm you, plans to give you hope and a future.” Jeremiah 29:11